exhibition: 19.11-23.12.2021
organizers:
Galeria Piekary
ul. Św. Marcin 80/82
61-809 Poznań
CK Zamek, Dziedziniec Różany
exhibition open Monday-Friday 10 AM-6 PM
admission always free
In view of the COVID-19 pandemic, the promoters open the exhibition to the public without an official preview. Visitors are required to wear masks covering their nose and mouth and to disinfect their hands with a sanitizer provided by the Gallery (the dispenser is to be found at the entrance). No more than 5 persons can be in the Gallery at one time.
Co-financed by the City of Poznań
[…] I work with simple, commonplace materials
to change the context of reality,
show the opulence of ordinary reality
e.g. by means of the relationship between the floor and the wall.
Mikołaj Smoczyński
9/11 Art Space Foundation and the Piekary Gallery are pleased to present Mikołaj Smoczyński. The Reality of Context, and exhibition showcasing Smoczyński’s photographic oeuvre created in the 1980s and 1990s. Sourced from a number of private collections, this is a comprehensive overview of his most important pieces and the issues the artist explored in his work.
The artist’s undertakings focused on experiencing and acting in space whilst exploiting the possibilities of the materials used for this purpose; Smoczyński would create site-specific installations and record them in black-and-white photography. The exhibition sets out with the pieces from his early 1980s series, Double Object and The Secret Performance. Double Object is an artefact made from the remains of his paintings with which Smoczyński experimented in the space of his Lublin studi,. The photograph—as a record of the artist’s activities—raises the issue of departure from traditional painting. The secret performance captures changing states of reality. Smoczyński observed the floor, its texture, the play of light and shadow, dust and water on the floor tiles, documenting this amazing spectacle.
Work with the image and its representation, the experience of conceptualism or, ultimately, its transposition into intermedia space constitute the themes that would resurface in Smoczyński’s subsequent works displayed at the exhibition, including the Images series from the 1980s (the yield of the activities at the Old Gallery in Lublin in 1988) or the Reflective Image series from 1991. The exhibition is complemented by footage documenting his actions at the Wschodnia Gallery in Łódź (Relocation, 1987; Parallel Action, 1991), the Museum of Textiles in Łódź during the famed exhibition Konstrukcja w procesie, 1991 (Image, Imagine), San Diego University Art Gallery (The Hoisting, 1991), Centre for Contemporary Art Ujazdowski Castle (solo exhibition, 1993), Potocka Gallery in Krakow (The Photograph, 1993). The remainder of the exhibition spans works created during the artist’s fellowship in France (Mediterrean Sea, 1994; Still, Map Room and Object, 1994).
A catalogue in which Adam Mazur recapitulates the project will be published after the opening of the exhibition.
Mikołaj Smoczyński (born 22.03.1955 in Łódź, died 02.01.2009 in Lublin) was a painter, photographer, performer, creator of objects and installations. In 1974 – 1975, he studied at the State Higher School of Visual Arts in Łódź and continued his studies at the Maria Curie-Skłodowska University in Lublin in 1975-1979, graduating in painting in Jan Popek’s studio. Then, from 1984 to 1985, he completed a fellowship at the Academy of Fine Arts in Warsaw in the studio of Professor Ryszard Winiarski. He was also associated with the Academy of Fine Arts in Poznań (currently the Magdalena Abakanowicz University of Arts), where he received his doctoral degree, and the Institute of Art Education, Maria Curie-Skłodowska University in Lublin.
Awards and honours: Stanisław Wyspiański Art Award (Warsaw, 1990); Polish Graphic Arts Triennial (Katowice, 1991); Grand Prix, 5th International Drawing Triennial (Wrocław, 1992); European Photography Award (Berlin, 1992).
Major fellowships: Fondation de’Art de la Napoule, Memorial Henry Clews (la Napoule, France, 1993); Soros Foundation (New York, 1995); Jurzykowski Foundation (New York, 1997); Kościuszko Foundation (New York, 2001); The Pollock Krasner Foundation (New York, 2001); International Program Studio (New York, 2001).
Works of the artist have been acquired by e.g. the National Museums in Szczecin, Poznań and Warsaw, Museum of Art in Łódź, Zachęta National Art Gallery in Warsaw, Ujazdowski Castle Centre for Contemporary Art in Warsaw, MOCAK in Krakow, Museum of Photography, San Diego (USA) and many others.
Selected solo exhibitions:
1980
Stara Gallery, Lublin
1991
Stara Gallery, Lublin
Foksal Gallery, Warsaw
San Diego State University Art Gallery, San Diego (USA)
1992
E.L.A.C. Lyon, France
1993
Ujazdowski Castle Centre for Contemporary Art, Warsaw
1993
Krzysztofory Gallery, Krakow
1995
Foksal Gallery, Warsaw
Art in General Gallery, New York;
1997
Stara Gallery, Lublin
1996
Zachęta National Gallery of Art, Warsaw
1997
IFA Galerie, Berlin (Germany)
1999
U Jezuitów Gallery, Poznań
2001
Arsenał Gallery, Poznań
International Studio Program, New York;
2003
BWA Gallery, Zielona Góra
Sektor I Gallery, Katowice;
2004
Labirynt 2 Gallery, Lublin
Zmiana właściwości miejscowej, Labirynt 2 Gallery, Lublin
2006
Słupy milowe, Cysterna, Ujazdowski Castle Centre for Contemporary Art, Warsaw
Plakat autorski, Grodzka Gallery, Lublin
Mapa (obrazy i instalacje), Museum of the Lubusz Region, Zielona Góra
Selected collective exhibitions:
1985
Co słychać, Former Norblin Works, Warsaw;
1988
Polska Fotografia Intermedialna, Arsenał Gallery, Poznań;
199
Magowie i Mistycy, Ujazdowski Castle Centre for Contemporary Art, Warsaw;
1991
Konstrukcja w procesie, Museum of the Textile Industry, Łódź;
1992
Łódź‒Lyon, Musee Saint Pierre l’Art Contemporain, Lyon
European Photography, Museum of Modern Art, Berlin;
1993
3th Istanbul Biennial, Museum of Modern Art, Istanbul
1995
Frontiera, Museum of Contemporary Art, Bolzano (Italy)
1997
Nowosielski, Smoczyński, Tarasewicz, Ujazdowski Castle Centre for Contemporary Art, Warsaw;
1999
Aspects/Positions, 50 Years of Art In Central Europe 1949‒1999, Museum Moderner Kunst Stifting Ludwig, Vienna
2000
Duzzle Gradually, Apex Art, New York
2000
Transmissions, Palais du Rhin, Strasbourg (France)
Arte a Centreeuropa 1949‒1999, Fundatio Joan Miro, Centre d’Estudis d’Art Contemporani, Barcelona
2001
Here and Now, Zachęta National Gallery of Art, Warsaw
2004
Zanurzenie, Centre for Contemporary Art, Kyiv (Ukraine)
2005
Malarze fotografują, Baltic Gallery of Contemporary Art, Słupsk
2006
Terytoria, Centre for Culture, Lublin
2008
Na początku było pismo, Baltic Gallery of Contemporary Art, Słupsk
2009
Międzynarodowa Kolekcja Sztuki Współczesnej, Ujazdowski Castle Centre for Contemporary Art, Warsaw
